The Perception of Mass

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Aatucagg believes Spacial Stress is a measure of stress radiated by mass. Spacial stress encompasses the 3 dimensions of space and radiates energy in the from of photons and quantum gravity. The radiation of Spacial Stress by mass is called an "event". Observers of an event will convert spacial stress into temporal strain. Temporal strain can have any of 3 forms. The first form of temporal strain is period temporal strain, where history expands and contracts out of phase with knowledge to produce conscious information. The second form of temporal strain is equalibrium temporal strain, where history expands and contracts in phase with knowledge to produce deja vu. The third form of temporal strain is fatigued temporal strain, where history is random and produces unconscious information. The conversion of spacial stress to temporal strain by the mass of the observer produces information in various amounts depending on the form of light and gravity produced by the event. Information from an event can be captured and stored in various ways through photography, painting, sculpture, ect... Both light and gravity waves can be captured and stored and recreated later. The more closely the art work mimics the actual event the more accurate the information will be concerning the event relative to the observer. If an event is exactly represented in shape and structure by a piece of art 1/4 the size of the actual mass that produced the event, then if the observer stands 4 times closer to the art work, the spacial stress will closely represent the actual spacial stress and the temporal strain produced by the observer of the art work will closely represent the temporal strain of the observer of the actual event. Since history and knowledge are the components of temporal strain and are 1 dimensional, then the art work can use less that 3 dimensions to recreate the event. For example, if a 2 dimensional art work can accurately represent the spacial stress of an actual 3 dimensional event, then the 1 dimensional timeline of history and knowledge will be recreated by the observer. This explains why, for example, a 2 dimensional photograph is interpreted by the mind of the observer as a 3 dimensional image. Not only is light recreated by art work but gravity waves are recreated as well. Art work can conjure up emotion because the art work not only radiates recreated light but also recreated gravity waves. It is the combination of recreated light and gravity contained in art work that gives rise to the emotions we feel when we view the art work. All art work generates information in the observer, how accurately the art work recreates the actual event will dictate how we fell about the piece of art. This means spacial stress only has to represent events in terms of light and gravity but not in terms of mass. So, it is not necessary to recreate the form of the mass that radiated the event but only the radiation of the event itself. This is why abstract art can conjure up accurate feelings about an event without recreating the event realistically. Therefore, it is possible for 1 dimensional, 2 dimensional, 3 dimensional, or fractal art work to recreate actual events by supplying spacial stress in similar amounts as the original event supplied, freeing the artist from having to acurately recreate the mass of the original event.